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80-412: The origin of the word "illustration" is late Middle English (in the sense ‘illumination; spiritual or intellectual enlightenment’): via Old French from Latin illustratio (n-), from the verb illustrare . Contemporary illustration uses a wide range of styles and techniques, including drawing , painting , printmaking , collage , montage , digital design , multimedia , 3D modelling . Depending on

160-810: A Gaulish substrate, although there is some debate. One of these is considered certain, because this fact is clearly attested in the Gaulish-language epigraphy on the pottery found at la Graufesenque ( A.D. 1st century). There, the Greek word paropsid-es (written in Latin) appears as paraxsid-i . The consonant clusters /ps/ and /pt/ shifted to /xs/ and /xt/, e.g. Lat capsa > *kaxsa > caisse ( ≠ Italian cassa ) or captīvus > *kaxtivus > OF chaitif (mod. chétif ; cf. Irish cacht 'servant'; ≠ Italian cattiv-ità , Portuguese cativo , Spanish cautivo ). This phonetic evolution

240-421: A definitive influence on the development of Old French, which partly explains why the earliest attested Old French documents are older than the earliest attestations in other Romance languages (e.g. Strasbourg Oaths , Sequence of Saint Eulalia ). It is the result of an earlier gap created between Classical Latin and its evolved forms, which slowly reduced and eventually severed the mutual intelligibility between

320-600: A feudal elite and commerce. The area of Old French in contemporary terms corresponded to the northern parts of the Kingdom of France (including Anjou and Normandy , which in the 12th century were ruled by the Plantagenet kings of England ), Upper Burgundy and the Duchy of Lorraine . The Norman dialect was also spread to England and Ireland , and during the Crusades , Old French

400-420: A fraindre, Fors Sarragoce qu'est en une montaigne; Li reis Marsilies la tient, ki Deu nen aimet, Mahomet sert ed Apolin reclaimet: Ne·s poet guarder que mals ne l'i ataignet! ˈt͡ʃarləs li ˈre͜is, ˈnɔstr‿empəˈræðrə ˈmaɲəs ˈsɛt ˈant͡s ˈtot͡s ˈple͜ins ˈað esˈtæθ en esˈpaɲə ˈtræs k‿en la ˈmɛr konˈkist la ˈtɛr alˈta͜iɲə t͡ʃasˈtɛl ni ˈaθ ki dəˈvant ˈly͜i rəˈma͜iɲəθ ˈmyrs nə t͡siˈtæθ n‿i ˈɛst rəˈmæs

480-645: A mountain. King Marsilie is its master, he who loves not God, He serves Mohammed and worships Apollo: [Still] he cannot prevent harm from reaching him. John Leech (caricaturist) John Leech (29 August 1817 – 29 October 1864) was a British caricaturist and illustrator . He was best known for his work for Punch , a humorous magazine for a broad middle-class audience, combining verbal and graphic political satire with light social comedy. Leech catered to contemporary prejudices, such as anti-Americanism and antisemitism and supported acceptable social reforms. Leech's critical yet humorous cartoons on

560-1220: A new orthography for the latter; among the earliest examples are parts of the Oaths of Strasbourg and the Sequence of Saint Eulalia . Some Gaulish words influenced Vulgar Latin and, through this, other Romance languages. For example, classical Latin equus was uniformly replaced in Vulgar Latin by caballus 'nag, work horse', derived from Gaulish caballos (cf. Welsh ceffyl , Breton kefel ), yielding ModF cheval , Occitan caval ( chaval ), Catalan cavall , Spanish caballo , Portuguese cavalo , Italian cavallo , Romanian cal , and, by extension, English cavalry and chivalry (both via different forms of [Old] French: Old Norman and Francien ). An estimated 200 words of Gaulish etymology survive in Modern French, for example chêne , 'oak tree', and charrue , 'plough'. Within historical phonology and studies of language contact , various phonological changes have been posited as caused by

640-616: A political cartoon, with Mrs Caudle, personated by Brougham, disturbing by untimely loquacity the slumbers of the lord chancellor, whose haggard cheek rests on the woolsack for pillow. It was in work for the wood-engravers that Leech was most prolific and individual. Among the earlier of such designs are the illustrations to the Comic English and Latin Grammars (1840), to Written Caricatures (1841), to Hood's Comic Annual , (1842), and to Albert Smith's Wassail Bowl (1843), subjects mainly of

720-639: A radical change had the effect of rendering Latin sermons completely unintelligible to the general Romance-speaking public, which prompted officials a few years later, at the Third Council of Tours , to instruct priests to read sermons aloud in the old way, in rusticam romanam linguam or 'plain Roman[ce] speech'. As there was now no unambiguous way to indicate whether a given text was to be read aloud as Latin or Romance, various attempts were made in France to devise

800-500: A small vignette size, transcribed with the best skill of such woodcutters as Orrin Smith , and not, like the larger and later Punch illustrations, cut at speed by several engravers working at once on the subdivided block. It was in 1841 that Leech's connection with Punch began, a connection which subsisted until his death, and resulted in the production of the best-known and most admirable of his designs. His first contribution appeared in

880-582: A somewhat later date, and especially in those lightly etched and meant to be printed with colour, that we see the artist's best powers with the needle and acid. Among such of his designs are four charming plates to Charles Dickens 's A Christmas Carol (1843), the broadly humorous etchings in the Comic History of England (1847–1848), and the still finer illustrations to The Comic History of Rome (1851) —which last, particularly in its minor woodcuts, shows some exquisitely graceful touches, as witness

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960-464: A variety of contexts. There is a Guild of Natural Science Illustrators and Association of Medical Illustrators. The Association of Medical Illustrators states that the median salary is $ 70,650, while for science illustrators it is $ 72,277. Types of jobs range from research institutes to museums to animation. In the art world, illustration has at times been considered of less importance than graphic design and fine art . Today, however, due in part to

1040-553: A very distinctive identity compared to the other future Romance languages. The first noticeable influence is the substitution of the Latin melodic accent with a Germanic stress and its result was diphthongization , differentiation between long and short vowels, the fall of the unaccented syllable and of the final vowels: Additionally, two phonemes that had long since died out in Vulgar Latin were reintroduced: [h] and [w] (> OF g(u)- , ONF w- cf. Picard w- ): In contrast,

1120-501: A ˈfra͜indrə ˈfɔrs saraˈgot͡sə k‿ˈɛst en ˈynə monˈtaɲə li ˈre͜is marˈsiʎəs la ˈti͜ɛnt, ki ˈdɛ͜u nən ˈa͜iməθ mahoˈmɛt ˈsɛrt eð apoˈlin rəˈkla͜iməθ nə‿s ˈpu͜ɛt gwarˈdær kə ˈmals nə l‿i aˈta͜iɲəθ Charles the king, our great emperor, Has been in Spain for seven full years: He has conquered the lofty land up to the sea. No castle remains standing before him; No wall or city is left to destroy Other than Saragossa, which lies atop

1200-453: Is a famous image of the time. During the 16th and 17th centuries in Europe, the main reproduction processes for illustration were engraving and etching . In 18th Century England, a notable illustrator was William Blake (1757–1827), who used relief etching . By the early 19th century, the introduction of lithography substantially improved reproduction quality. In Europe, notable figures of

1280-481: Is called Vulgar Latin , the common spoken language of the Western Roman Empire . Vulgar Latin differed from Classical Latin in phonology and morphology as well as exhibiting lexical differences; however, they were mutually intelligible until the 7th century when Classical Latin 'died' as a daily spoken language, and had to be learned as a second language (though it was long thought of as the formal version of

1360-603: Is common in its later stages with the shift of the Latin cluster /kt/ in Old French ( Lat factum > fait , ≠ Italian fatto , Portuguese feito , Spanish hecho ; or lactem * > lait , ≠ Italian latte , Portuguese leite , Spanish leche ). This means that both /pt/ and /kt/ must have first merged into /kt/ in the history of Old French, after which this /kt/ shifted to /xt/. In parallel, /ps/ and /ks/ merged into /ks/ before shifting to /xs/, apparently under Gaulish influence. The Celtic Gaulish language

1440-583: Is imperfect and we never feel that they express the artist's individuality, the Richard Savage plates, for instance, being strongly reminiscent of Cruikshank, and The Dance at Stamford Hall of Hablot Browne . In 1845 Leech illustrated St Giles and St James in Douglas William Jerrold 's new Shilling Magazine , with plates more vigorous and accomplished than those in Bentley, but it is in subjects of

1520-496: Is more valuable than even the finished illustrations of 1841, in which the added light and shade is frequently spotty and ineffective, arid the lining itself has not the freedom which we find in some of Leech's other lithographs, notably in the fly leaves, published at the Punch office, and in the inimitable subject of the nuptial couch of the Caudles, which also appeared, in woodcut form, as

1600-745: Is so constant a note in the work of Hogarth is indeed far less characteristic of Leech, but there are touches of pathos and of tragedy in such of the Punch designs as the Poor Man's Friend (1845), and General Février turned Traitor (1855), and in The Queen of the Arena in the first volume of Once a Week , which are sufficient to prove that more solemn powers, for which his daily work afforded no scope, lay dormant in their artist. The purity and manliness of Leech's own character are impressed on his art. We find in it little of

1680-536: Is thought to have survived into the 6th century in France, despite considerable cultural Romanization. Coexisting with Latin, Gaulish helped shape the Vulgar Latin dialects that developed into French, with effects including loanwords and calques (including oui , the word for "yes"), sound changes shaped by Gaulish influence, and influences in conjugation and word order. A computational study from 2003 suggests that early gender shifts may have been motivated by

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1760-614: The langues d'oïl , contrasting with the langues d'oc , the emerging Occitano-Romance languages of Occitania , now the south of France. The mid-14th century witnessed the emergence of Middle French , the language of the French Renaissance in the Île-de-France region; this dialect was a predecessor to Modern French . Other dialects of Old French evolved themselves into modern forms ( Poitevin-Saintongeais , Gallo , Norman , Picard , Walloon , etc.), each with its linguistic features and history. The region where Old French

1840-594: The langue d'oïl as early as the 9th century and is attested as a distinct Gallo-Romance variety by the 12th century. Dialects or variants of Old French include: Some modern languages are derived from Old French dialects other than Classical French, which is based on the Île-de-France dialect. They include Angevin , Berrichon , Bourguignon-Morvandiau , Champenois , Franc-Comtois , Gallo, Lorrain, Norman , Picard, Poitevin , Saintongeais , and Walloon. Beginning with Plautus ' time (254–184 b.c. ), one can see phonological changes between Classical Latin and what

1920-521: The Bibliothèque bleue – that a standardized Classical French spread throughout France alongside the regional dialects. The material and cultural conditions in France and associated territories around the year 1100 triggered what Charles Homer Haskins termed the " Renaissance of the 12th century ", resulting in a profusion of creative works in a variety of genres. Old French gave way to Middle French in

2000-505: The Roman de Fauvel in 1310 and 1314, a satire on abuses in the medieval church, filled with medieval motets , lais , rondeaux and other new secular forms of poetry and music (mostly anonymous, but with several pieces by Philippe de Vitry , who would coin the expression ars nova to distinguish the new musical practice from the music of the immediately preceding age). The best-known poet and composer of ars nova secular music and chansons of

2080-467: The chiaroscuro was added and the designs were transcribed by the engraver. Turning to the mental qualities of his art, it would be a mistaken criticism which ranked him as a comic draughtsman. Like Hogarth he was a true humorist, a student of human life, though he observed humanity mainly in its whimsical aspects, Hitting all he saw with shafts With gentle satire, kin to charity, That harmed not. The earnestness and gravity of moral purpose which

2160-511: The Crimean War helped shape public attitudes toward heroism, warfare, and Britons' role in the world. Leech also enjoys fame as the first illustrator of Charles Dickens ' 1843 novella A Christmas Carol . He was furthermore a pioneer in comics , creating the recurring character Mr. Briggs and some sequential illustrated gags. John Leech was born in London. His father, a native of Ireland,

2240-486: The Dalziel Brothers , and Georges du Maurier . Although all fine art trained, their reputations were gained primarily as illustrators. Historically, Punch was most influential in the 1840s and 1850s. The magazine was the first to use the term " cartoon " to describe a humorous illustration and its widespread use led to John Leech being known as the world's first " cartoonist ". In common with similar magazines such as

2320-517: The chansons de geste is The Song of Roland (earliest version composed in the late 11th century). Bertrand de Bar-sur-Aube in his Girart de Vienne set out a grouping of the chansons de geste into three cycles : the Geste du roi centering on Charlemagne, the Geste de Garin de Monglane (whose central character was William of Orange ), and the Geste de Doon de Mayence or the "rebel vassal cycle",

2400-499: The 130 illustrations of this book which remains as one of the masterpieces of bibliophilia. Old French Old French ( franceis , françois , romanz ; French : ancien français ) was the language spoken in most of the northern half of France approximately between the late 8th and the mid-14th century. Rather than a unified language , Old French was a group of Romance dialects , mutually intelligible yet diverse . These dialects came to be collectively known as

2480-426: The 19th century, developments in printing technology freed illustrators to experiment with color and rendering techniques. These developments in printing affected all areas of literature from cookbooks, photography and travel guides, as well as children's books. Also, due to advances in printing, it became more affordable to produce color photographs within books and other materials. By 1900, almost 100 percent of paper

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2560-517: The British Lion. About 1845 we have the first of that long series of half-page and quarter-page pictures of life and manners, executed with a hand as gentle as it was skilful, containing, as Ruskin has said, "admittedly the finest definition and natural history of the classes of our society, the kindest and subtlest analysis of its foibles, the tenderest flattery of its pretty and well-bred ways", which had yet appeared. In addition to his work for

2640-580: The Gallo-Romance that prefigures French – after the Reichenau and Kassel glosses (8th and 9th centuries) – are the Oaths of Strasbourg (treaties and charters into which King Charles the Bald entered in 842): Pro Deo amur et pro Christian poblo et nostro commun salvament, d'ist di en avant, in quant Deus savir et podir me dunat, si salvarai eo cist meon fradre Karlo, et in aiudha et in cadhuna cosa ... (For

2720-738: The Italian, Portuguese and Spanish words of Germanic origin borrowed from French or directly from Germanic retain /gw/ ~ /g/ , e.g. Italian, Spanish guerra 'war', alongside /g/ in French guerre ). These examples show a clear consequence of bilingualism, that sometimes even changed the first syllable of the Latin words. One example of a Latin word influencing an OLF loan is framboise 'raspberry', from OF frambeise , from OLF *brāmbesi 'blackberry' (cf. Dutch braambes , braambezie ; akin to German Brombeere , English dial. bramberry ) blended with LL fraga or OF fraie 'strawberry', which explains

2800-554: The Old French dialects diverged into a number of distinct langues d'oïl , among which Middle French proper was the dialect of the Île-de-France region. During the Early Modern period , French was established as the official language of the Kingdom of France throughout the realm, including the langue d'oc -speaking territories in the south. It was only in the 17th to 18th centuries – with the development especially of popular literature of

2880-528: The Parisian Le Voleur , Punch realised good illustration sold as well as good text. With publication continuing into the 21st Century, Punch chronicles a gradual shift in popular illustration, from reliance on caricature to sophisticated topical observation. From the early 1800s newspapers , mass-market magazines , and illustrated books had become the dominant consumer media in Europe and the New World. By

2960-491: The Renaissance short story ( conte or nouvelle ). Among the earliest works of rhetoric and logic to appear in Old French were the translations of Rhetorica ad Herennium and Boethius ' De topicis differentiis by John of Antioch in 1282. In northern Italy, authors developed Franco-Italian , a mixed language of Old French and Venetian or Lombard used in literary works in the 13th and 14th centuries. Old French

3040-414: The art of illustration is closely linked to the industrial processes of printing and publishing . The illustrations of medieval codices were known as illuminations , and were individually hand-drawn and painted. With the invention of the printing press during the 15th century, books became more widely distributed, and often illustrated with woodcuts . Some of the earliest illustrations come from

3120-447: The artist himself, with the assistance and under the direction of his friend John Everett Millais . Millais had earlier painted a portrait of a child reading Leech's comic book Mr Briggs' Sporting Tour , itself said to have been founded on Leech's own visits to Millais, whose favorite shooting and fishing grounds are reproduced in a great number of the drawings. Leech was a rapid and indefatigable worker. Samuel Hole said he observed

3200-404: The artist produce three finished drawings on the wood, designed, traced, and rectified, "without much effort as it seemed, between breakfast and dinner". The best technical qualities of Leech's art, his precision and vivacity in the use of the line, are seen most clearly in the first sketches for his woodcuts, and in the more finished drawings made on tracing paper from these first outlines, before

3280-413: The artist's pencil. Amid all the squalor which they depict, they are full of individual beauties in the delicate or touching expression of a face, in the graceful turn of a limb. The book is scarce in its original form, but in 1875 two reproductions of the outline sketches for the designs were published—a lithographic issue of the whole series, and a finer photographic transcript of six of the subjects, which

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3360-440: The artist's treatment of pure landscape, though it also contains some of his daintiest figure pieces, like that of the wind-blown girl, standing on the summit of a pedestal, with the swifts darting around her and the breadth of sea beyond. In 1862 Leech appealed to the public with a very successful exhibition of some of the most remarkable of his Punch drawings . These were enlarged by a mechanical process, and coloured in oils by

3440-605: The best of Cruikshank's similar scenes. Then in the 1850s come the numerous etchings of sporting scenes, contributed, together with woodcuts, to the Handley Cross novels by Robert Smith Surtees . Leech's lithographic work includes the 1841 Portraits of the Children of the Mobility , an important series dealing with the humorous and pathetic aspects of London street "Arabs", which were afterwards so often and so effectively to employ

3520-569: The development of northern French culture in and around Île-de-France , which slowly but firmly asserted its ascendency over the more southerly areas of Aquitaine and Tolosa ( Toulouse ); however, the Capetians ' langue d'oïl , the forerunner of modern standard French, did not begin to become the common speech of all of France until after the French Revolution . In the Late Middle Ages,

3600-513: The early 19th Century were John Leech , George Cruikshank , Dickens illustrator Hablot Knight Browne , and, in France, Honoré Daumier . All contributed to both satirical and "serious" publications. At this time, there was a great demand for caricature drawings encapsulating social mores, types and classes. The British humorous magazine Punch (1841–2002) built on the success of Cruikshank's Comic Almanac (1827–1840) and employed many well-regarded illustrators, including Sir John Tenniel ,

3680-500: The exaggeration and grotesqueness, and none of the fierce political enthusiasm, of which the designs of James Gillray are so full. Compared with that of his great contemporary, George Cruikshank, his work is restricted both in compass of subject and in artistic dexterity. Leech was played by Simon Callow in the 2017 film The Man Who Invented Christmas which depicts the 1843 writing and production of Dickens' A Christmas Carol . He died at his home in London on 29 October 1864 and

3760-725: The fair faces that rise from the surging water in Cloelia and her Companions Escaping from the Etruscan Camp . Among his other etchings are those in Young Master Troublesome or Master Jacky's Holidays , and the frontispiece to Hints on Life, or How to Rise in Society (1845)—a series of minute subjects linked gracefully together by coils of smoke, illustrating the various ranks and conditions of men, one of them—the doctor by his patient's bedside—almost equalling in vivacity and precision

3840-750: The first such text. At the beginning of the 13th century, Jean Bodel , in his Chanson de Saisnes , divided medieval French narrative literature into three subject areas: the Matter of France or Matter of Charlemagne ; the Matter of Rome ( romances in an ancient setting); and the Matter of Britain ( Arthurian romances and Breton lais ). The first of these is the subject area of the chansons de geste ("songs of exploits" or "songs of (heroic) deeds"), epic poems typically composed in ten-syllable assonanced (occasionally rhymed ) laisses . More than one hundred chansons de geste have survived in around three hundred manuscripts. The oldest and most celebrated of

3920-728: The gender of the corresponding word in Gaulish. The pronunciation, vocabulary, and syntax of the Vulgar Latin spoken in Roman Gaul in late antiquity were modified by the Old Frankish language , spoken by the Franks who settled in Gaul from the 5th century and conquered the future Old French-speaking area by the 530s. The name français itself is derived from the name of the Franks. The Old Frankish language had

4000-595: The growth of the graphic novel and video game industries, as well as increased use of illustration in magazines and other publications, illustration is now becoming a valued art form, capable of engaging a global market. Original illustration art has been known to attract high prices at auction. The US artist Norman Rockwell 's painting "Breaking Home Ties" sold in a 2006 Sotheby's auction for US$ 15.4 million. Many other illustration genres are equally valued, with pinup artists such as Gil Elvgren and Alberto Vargas , for example, also attracting high prices. Historically,

4080-644: The imagery they created considered a portrait of American aspirations of the time. Among the best-known illustrators of that period were N.C. Wyeth and Howard Pyle of the Brandywine School , James Montgomery Flagg , Elizabeth Shippen Green , J. C. Leyendecker , Violet Oakley , Maxfield Parrish , Jessie Willcox Smith , and John Rea Neill . In France , on 1905, the Contemporary Book Society commissioned Paul Jouve to illustrate Rudyard Kipling's Jungle Book . Paul Jouve would devote ten years to

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4160-533: The incipient Middle French period was Guillaume de Machaut . Discussions about the origins of non-religious theater ( théâtre profane )—both drama and farce—in the Middle Ages remain controversial, but the idea of a continuous popular tradition stemming from Latin comedy and tragedy to the 9th century seems unlikely. Most historians place the origin of medieval drama in the church's liturgical dialogues and "tropes". Mystery plays were eventually transferred from

4240-532: The issue of 7 August, a full-page illustration—entitled Foreign Affairs of character studies from the neighbourhood of Leicester Square . His cartoons deal at first mainly with social subjects, and are rough and imperfect in execution, but gradually their method gains in power and their subjects become more distinctly political, and by 1849 the artist is strong enough to produce the splendidly humorous national personification which appears in Disraeli Measuring

4320-629: The loss of an intervening consonant. Manuscripts generally do not distinguish hiatus from true diphthongs, but modern scholarly transcription indicates it with a diaeresis , as in Modern French: Presented below is the first laisse of The Song of Roland along with a broad transcription reflecting reconstructed pronunciation c.  1050 . Charles li reis, nostre emperedre magnes, Set anz toz pleins at estét en Espaigne. Tres qu'en la mer conquist la tere altaigne, Chastel n'i at ki devant lui remaignet. Murs ne citét n'i est remés

4400-560: The love of God and for the Christian people, and our common salvation, from this day forward, as God will give me the knowledge and the power, I will defend my brother Karlo with my help in everything ...) The second-oldest document in Old French is the Eulalia sequence , which is important for linguistic reconstruction of Old French pronunciation due to its consistent spelling. The royal House of Capet , founded by Hugh Capet in 987, inaugurated

4480-531: The magazines with a series of etchings in Bentley's Miscellany , where George Cruikshank had published his plates to Jack Sheppard and Oliver Twist , and was illustrating Guy Fawkes in feebler fashion. In company with the elder master Leech designed for the Ingoldsby Legends and Stanley Thorn , and until 1847 produced many independent series of etchings. These were not his best work; their technique

4560-406: The mid-14th century, paving the way for early French Renaissance literature of the 15th century. The earliest extant French literary texts date from the ninth century, but very few texts before the 11th century have survived. The first literary works written in Old French were saints' lives . The Canticle of Saint Eulalie , written in the second half of the 9th century, is generally accepted as

4640-528: The monastery church to the chapter house or refectory hall and finally to the open air, and the vernacular was substituted for Latin. In the 12th century one finds the earliest extant passages in French appearing as refrains inserted into liturgical dramas in Latin, such as a Saint Nicholas (patron saint of the student clercs) play and a Saint Stephen play. An early French dramatic play is Le Jeu d'Adam ( c.  1150 ) written in octosyllabic rhymed couplets with Latin stage directions (implying that it

4720-543: The most famous characters of which were Renaud de Montauban and Girart de Roussillon . A fourth grouping, not listed by Bertrand, is the Crusade cycle , dealing with the First Crusade and its immediate aftermath. Jean Bodel 's other two categories—the "Matter of Rome" and the "Matter of Britain"—concern the French romance or roman . Around a hundred verse romances survive from the period 1150–1220. From around 1200 on,

4800-439: The purpose, illustration may be expressive, stylised, realistic, or highly technical. Specialist areas include: Technical and scientific illustration communicates information of a technical or scientific nature. This may include exploded views , cutaways , fly-throughs, reconstructions, instructional images, component designs, diagrams . The aim is "to generate expressive images that effectively convey certain information via

4880-504: The replacement [b] > [f] and in turn the final -se of framboise added to OF fraie to make freise , modern fraise (≠ Wallon frève , Occitan fraga , Romanian fragă , Italian fragola , fravola 'strawberry'). Mildred Pope estimated that perhaps still 15% of the vocabulary of Modern French derives from Germanic sources. This proportion was larger in Old French, because Middle French borrowed heavily from Latin and Italian. The earliest documents said to be written in

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4960-532: The spoken language). Vulgar Latin was the ancestor of the Romance languages , including Old French. By the late 8th century, when the Carolingian Renaissance began, native speakers of Romance idioms continued to use Romance orthoepy rules while speaking and reading Latin. When the most prominent scholar of Western Europe at the time, English deacon Alcuin , was tasked by Charlemagne with improving

5040-404: The standards of Latin writing in France, not being a native Romance speaker himself, he prescribed a pronunciation based on a fairly literal interpretation of Latin spelling. For example, in a radical break from the traditional system, a word such as ⟨viridiarium⟩ ' orchard ' now had to be read aloud precisely as it was spelled rather than */verdʒjær/ (later spelled as OF 'vergier' ). Such

5120-505: The tendency was increasingly to write the romances in prose (many of the earlier verse romances were adapted into prose versions), although new verse romances continued to be written to the end of the 14th century. The most important romance of the 13th century is the Romance of the Rose , which breaks considerably from the conventions of the chivalric adventure story. Medieval French lyric poetry

5200-557: The time of ancient Egypt (Khemet) often as hieroglyph . A classic example of illustrations exists from the time of The Tomb of Pharaoh Seti I , c.  1294 BC to 1279 BC, who was father of Ramses II , born 1303 BC. 1600s Japan saw the origination of Ukiyo-e , an influential illustration style characterised by expressive line, vivid colour and subtle tones, resulting from the ink-brushed wood block printing technique. Subjects included traditional folk tales, popular figures and everyday life. Hokusai 's The Great Wave off Kanagawa

5280-434: The two. The Old Low Franconian influence is also believed to be responsible for the differences between the langue d'oïl and the langue d'oc (Occitan), being that various parts of Northern France remained bilingual between Latin and Germanic for some time, and these areas correspond precisely to where the first documents in Old French were written. This Germanic language shaped the popular Latin spoken here and gave it

5360-412: The verb trobar "to find, to invent"). By the late 13th century, the poetic tradition in France had begun to develop in ways that differed significantly from the troubadour poets, both in content and in the use of certain fixed forms. The new poetic (as well as musical: some of the earliest medieval music has lyrics composed in Old French by the earliest composers known by name) tendencies are apparent in

5440-440: The visual channel to the human observer". Technical and scientific illustration is generally designed to describe or explain subjects to a nontechnical audience, so it must provide "an overall impression of what an object is or does, to enhance the viewer's interest and understanding." In contemporary illustration practice, 2D and 3D software is often used to create accurate representations that can be updated easily, and reused in

5520-464: The weekly issue of Punch , Leech contributed largely to the Punch almanacks and pocket-books, from Once a Week between 1859 and 1862, to The Illustrated London News , where some of his largest and best sporting scenes appeared, and to innumerable novels and miscellaneous volumes besides, of which it is only necessary to specify A Little Tour in Ireland (1859). This last piece is noticeable as showing

5600-591: Was a fellow pupil, and at sixteen he began to study for the medical profession at St Bartholomew's Hospital , where he won praise for the accuracy and beauty of his anatomical drawings. He was then placed under a Mr Whittle, an eccentric practitioner, the original of "Rawkins" in Albert Smith 's Adventures of Mr Ledbury , and afterwards under John Cockle; but gradually he drifted into the artistic profession. His nickname also being "Blicky" stuck with him during his life, and he used that name to sign some of his works. He

5680-749: Was also spoken in the Kingdom of Sicily , and in the Principality of Antioch and the Kingdom of Jerusalem in the Levant . As part of the emerging Gallo-Romance dialect continuum, the langues d'oïl were contrasted with the langues d'oc , at the time also called "Provençal", adjacent to the Old French area in the southwest, and with the Gallo-Italic group to the southeast. The Franco-Provençal group developed in Upper Burgundy, sharing features with both French and Provençal; it may have begun to diverge from

5760-414: Was constantly changing and evolving; however, the form in the late 12th century, as attested in a great deal of mostly poetic writings, can be considered standard. The writing system at this time was more phonetic than that used in most subsequent centuries. In particular, all written consonants (including final ones) were pronounced, except for s preceding non- stop consonants and t in et , and final e

5840-504: Was eighteen when his first designs were published, a quarto of four pages, entitled Etchings and Sketchings by A. Pen, Esq. , comic character studies from the London streets. Then he drew some political lithographs , did rough sketches for Bell's Life , produced a popular parody on Mulready's postal envelope, and, on the death of Dickens illustrator Robert Seymour in 1836, unsuccessfully submitted his renderings to illustrate The Pickwick Papers . In 1840 Leech began his contributions to

5920-657: Was indebted to the poetic and cultural traditions in Southern France and Provence —including Toulouse and the Aquitaine region—where langue d'oc was spoken ( Occitan language ); in their turn, the Provençal poets were greatly influenced by poetic traditions from the Hispano-Arab world . Lyric poets in Old French are called trouvères – etymologically the same word as the troubadours of Provençal or langue d'oc (from

6000-443: Was machine-made, and while a person working by hand could produce 60-100lbs of paper per day, mechanization yielded around 1,000lbs per day. Additionally, in the 50-year period between 1846 and 1916, book production increased 400% and the price of books was cut in half. In America , this led to a "golden age of illustration" from before the 1880s until the early 20th century. A small group of illustrators became highly successful, with

6080-590: Was pronounced [ ə ] . The phonological system can be summarised as follows: Notes: In Old French, the nasal vowels were not separate phonemes but only allophones of the oral vowels before a nasal consonant. The nasal consonant was fully pronounced; bon was pronounced [bõn] ( ModF [bɔ̃] ). Nasal vowels were present even in open syllables before nasals where Modern French has oral vowels, as in bone [bõnə] ( ModF bonne [bɔn] ). Notes: Notes: In addition to diphthongs, Old French had many instances of hiatus between adjacent vowels because of

6160-506: Was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire ), and the duchies of Upper and Lower Lorraine to the east (corresponding to modern north-eastern France and Belgian Wallonia ), but the influence of Old French was much wider, as it was carried to England and the Crusader states as the language of

6240-476: Was the landlord of the London Coffee House on Ludgate Hill , "a man", on the testimony of those who knew him, "of fine culture, a profound Shakespearian, and a thorough gentleman." His mother was descended from the family of Richard Bentley . Like his father. Leech was skillful at drawing with a pencil, which he began doing at a very early age. When he was only three, he was discovered by John Flaxman , who

6320-476: Was visiting, seated on his mother's knee, drawing with much gravity. The sculptor admired his sketch, adding, "Do not let him be cramped with lessons in drawing; let his genius follow its own bent; he will astonish the world"—advice which was followed. A mail-coach, done when he was six years old, is already full of surprising vigour and variety in its galloping horses. Leech was educated at Charterhouse School , where William Makepeace Thackeray , his lifelong friend,

6400-610: Was written by Latin-speaking clerics for a lay public). A large body of fables survive in Old French; these include (mostly anonymous) literature dealing with the recurring trickster character of Reynard the Fox . Marie de France was also active in this genre, producing the Ysopet (Little Aesop ) series of fables in verse. Related to the fable was the more bawdy fabliau , which covered topics such as cuckolding and corrupt clergy. These fabliaux would be an important source for Chaucer and for

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